<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"><channel><title>Spontar — Writing</title><description>Notes on teaching drama and improvisation — scripts, scenes, assessment and the practicalities of the room.</description><link>https://spontar.com/</link><language>en</language><item><title>Off book without the dread</title><link>https://spontar.com/en/blog/off-book-without-the-dread/</link><guid isPermaLink="true">https://spontar.com/en/blog/off-book-without-the-dread/</guid><description>The off-book date is where many rehearsal processes stall. Taking the script away in stages, and learning cues as well as lines, makes it a step instead of a cliff.</description><pubDate>Tue, 13 Oct 2026 00:00:00 GMT</pubDate></item><item><title>Prompting without shaming</title><link>https://spontar.com/en/blog/prompting-without-shaming/</link><guid isPermaLink="true">https://spontar.com/en/blog/prompting-without-shaming/</guid><description>How a line is asked for and given shapes how a cast feels about drying. A short protocol, agreed in advance, takes the embarrassment out of it.</description><pubDate>Tue, 13 Oct 2026 00:00:00 GMT</pubDate></item><item><title>Running a class show night</title><link>https://spontar.com/en/blog/running-a-class-show-night/</link><guid isPermaLink="true">https://spontar.com/en/blog/running-a-class-show-night/</guid><description>A class show is a small production with a running order, time calls and a host. The practical parts — the order, the calls, the jam and the end time — decide whether the evening feels like theatre.</description><pubDate>Tue, 13 Oct 2026 00:00:00 GMT</pubDate></item><item><title>Why &quot;yes, and&quot; fails as a rule and works as a habit</title><link>https://spontar.com/en/blog/yes-and-as-habit/</link><guid isPermaLink="true">https://spontar.com/en/blog/yes-and-as-habit/</guid><description>The most-quoted principle in improvisation is also the most misapplied. What it is actually describing, and how to build it without ever saying it.</description><pubDate>Sun, 30 Aug 2026 00:00:00 GMT</pubDate></item><item><title>Why students never see their own scores in Spontar</title><link>https://spontar.com/en/blog/why-students-never-see-their-scores/</link><guid isPermaLink="true">https://spontar.com/en/blog/why-students-never-see-their-scores/</guid><description>A feature we will not build, and the reasoning — which is about what improvisation trains, not about data protection.</description><pubDate>Wed, 26 Aug 2026 00:00:00 GMT</pubDate></item><item><title>Running a session when the internet is not there</title><link>https://spontar.com/en/blog/running-a-session-with-no-internet/</link><guid isPermaLink="true">https://spontar.com/en/blog/running-a-session-with-no-internet/</guid><description>Rehearsal rooms have bad wifi. What that actually breaks, what it does not, and how to plan a lesson that does not depend on it.</description><pubDate>Sat, 22 Aug 2026 00:00:00 GMT</pubDate></item><item><title>Warm-ups that are not warm-ups</title><link>https://spontar.com/en/blog/warm-ups-that-are-not-warm-ups/</link><guid isPermaLink="true">https://spontar.com/en/blog/warm-ups-that-are-not-warm-ups/</guid><description>Most drama warm-ups train something specific and are taught as though they train enthusiasm. What each of the common ones is actually for.</description><pubDate>Tue, 18 Aug 2026 00:00:00 GMT</pubDate></item><item><title>Mixed-age groups: what changes</title><link>https://spontar.com/en/blog/mixed-age-groups/</link><guid isPermaLink="true">https://spontar.com/en/blog/mixed-age-groups/</guid><description>A thirteen-year-old and a seventeen-year-old in the same scene are not doing the same exercise. What actually differs, and how to cast around it.</description><pubDate>Fri, 14 Aug 2026 00:00:00 GMT</pubDate></item><item><title>Endings: stopping a scene that will not stop</title><link>https://spontar.com/en/blog/endings/</link><guid isPermaLink="true">https://spontar.com/en/blog/endings/</guid><description>Most improvised scenes die rather than end. Where the ending actually lives, and four ways to give a class one without taking the scene away from them.</description><pubDate>Mon, 10 Aug 2026 00:00:00 GMT</pubDate></item><item><title>The four artistic processes, and where improvisation sits</title><link>https://spontar.com/en/blog/ncas-four-processes/</link><guid isPermaLink="true">https://spontar.com/en/blog/ncas-four-processes/</guid><description>Creating, Performing, Responding, Connecting. What each one means for a teacher planning an improvisation unit, and the one that usually gets skipped.</description><pubDate>Thu, 06 Aug 2026 00:00:00 GMT</pubDate></item><item><title>What AO1 and AO4 actually reward in devising</title><link>https://spontar.com/en/blog/ao1-and-ao4-in-devising/</link><guid isPermaLink="true">https://spontar.com/en/blog/ao1-and-ao4-in-devising/</guid><description>The assessment objectives are short, and the mark schemes built on them are not. What examiners are looking for in the devising component, in plain terms.</description><pubDate>Sun, 02 Aug 2026 00:00:00 GMT</pubDate></item><item><title>Reading the Anforderungsbereiche as a drama teacher</title><link>https://spontar.com/en/blog/epa-anforderungsbereiche/</link><guid isPermaLink="true">https://spontar.com/en/blog/epa-anforderungsbereiche/</guid><description>The KMK&apos;s three achievement levels were written for every subject, which makes them abstract in ours. What each one looks like in a practical drama lesson.</description><pubDate>Wed, 29 Jul 2026 00:00:00 GMT</pubDate></item><item><title>Recording without ranking</title><link>https://spontar.com/en/blog/recording-without-ranking/</link><guid isPermaLink="true">https://spontar.com/en/blog/recording-without-ranking/</guid><description>Notes that help you next Tuesday look nothing like notes that produce a grade. What to write down during a session, and what to leave out.</description><pubDate>Sat, 25 Jul 2026 00:00:00 GMT</pubDate></item><item><title>The devising log: what it is for</title><link>https://spontar.com/en/blog/the-devising-log/</link><guid isPermaLink="true">https://spontar.com/en/blog/the-devising-log/</guid><description>Most devising logs are written the night before and read like it. What the document is actually assessing, and what makes one worth reading.</description><pubDate>Tue, 21 Jul 2026 00:00:00 GMT</pubDate></item><item><title>What you can honestly assess in an improvisation</title><link>https://spontar.com/en/blog/what-you-can-honestly-assess/</link><guid isPermaLink="true">https://spontar.com/en/blog/what-you-can-honestly-assess/</guid><description>Some things in an improvised scene are observable and defensible. Others are guesses wearing a mark scheme. Knowing which is which makes moderation survivable.</description><pubDate>Fri, 17 Jul 2026 00:00:00 GMT</pubDate></item><item><title>Phones in the drama room</title><link>https://spontar.com/en/blog/phones-in-the-drama-room/</link><guid isPermaLink="true">https://spontar.com/en/blog/phones-in-the-drama-room/</guid><description>The argument for keeping them out is a good one. What changes when a phone stops being a distraction and becomes an instrument, and how to tell which you have.</description><pubDate>Mon, 13 Jul 2026 00:00:00 GMT</pubDate></item><item><title>The student who will not go on</title><link>https://spontar.com/en/blog/the-student-who-will-not-go-on/</link><guid isPermaLink="true">https://spontar.com/en/blog/the-student-who-will-not-go-on/</guid><description>Refusal in a drama room is usually about being watched, not about the exercise. Four things that help, and two that make it permanent.</description><pubDate>Thu, 09 Jul 2026 00:00:00 GMT</pubDate></item><item><title>The first three lessons with a group that has never improvised</title><link>https://spontar.com/en/blog/first-three-lessons/</link><guid isPermaLink="true">https://spontar.com/en/blog/first-three-lessons/</guid><description>What to do before you ask anyone to make something up in front of their classmates, and why the order matters more than the exercises.</description><pubDate>Sun, 05 Jul 2026 00:00:00 GMT</pubDate></item><item><title>The Joker position: intervening without entering</title><link>https://spontar.com/en/blog/the-joker-position/</link><guid isPermaLink="true">https://spontar.com/en/blog/the-joker-position/</guid><description>Boal invented a role that is neither performer nor audience. It is also the most accurate description of what a drama teacher does during an exercise.</description><pubDate>Wed, 01 Jul 2026 00:00:00 GMT</pubDate></item><item><title>One thing to hold: the point of concentration</title><link>https://spontar.com/en/blog/point-of-concentration/</link><guid isPermaLink="true">https://spontar.com/en/blog/point-of-concentration/</guid><description>Spolin&apos;s central idea is that a student focused on a game acts naturally. The hard part is choosing the one thing, and resisting the urge to add a second.</description><pubDate>Sat, 27 Jun 2026 00:00:00 GMT</pubDate></item><item><title>Blocking is information</title><link>https://spontar.com/en/blog/blocking-is-information/</link><guid isPermaLink="true">https://spontar.com/en/blog/blocking-is-information/</guid><description>A student who refuses an offer is telling you something about the exercise, not about themselves. What the refusal usually means, and what to change.</description><pubDate>Tue, 23 Jun 2026 00:00:00 GMT</pubDate></item><item><title>Status: teach the flip, not the level</title><link>https://spontar.com/en/blog/status-teaching-the-flip/</link><guid isPermaLink="true">https://spontar.com/en/blog/status-teaching-the-flip/</guid><description>Students asked to &apos;play high status&apos; produce a caricature. Students asked to change status halfway through produce a scene. The difference is where you put the instruction.</description><pubDate>Fri, 19 Jun 2026 00:00:00 GMT</pubDate></item><item><title>Side-coaching without stopping the scene</title><link>https://spontar.com/en/blog/side-coaching-without-interrupting/</link><guid isPermaLink="true">https://spontar.com/en/blog/side-coaching-without-interrupting/</guid><description>Spolin&apos;s most useful technique is also the hardest to deliver: a note to one player, mid-scene, that nobody else hears. What works in a room, and what does not.</description><pubDate>Mon, 15 Jun 2026 00:00:00 GMT</pubDate></item></channel></rss>